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Eda, 1997

Crown Troupe's adaptation of the medieval morality play 'Everyman' whose source is anonymous.
The play explores the issue of man's desire to mortgage his soul/conscience for material acquisition. This, he does but returns 'home' with nothing but his Character. Inanimate things in conformity with morality plays of the middle age are here, personified. It is performed in Nigerian (pidgin) English.

     
           
             
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